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Option A
“Shakespeare” Please respond to the following, using sources under the Explore heading as the basis of your response:
• Discuss your reaction to the character of Hamlet in the two (2) soliloquies from the text. Consider the extent to which you sympathize with him and / or think he is self-absorbed. Explain the manner in which the literary form of soliloquy shapes your view of Hamlet. Identify one (1) or two (2) lines (except “To be, or not to be”) that you find interesting or favor, and explain your choice. Pretend you are a modern leader or celebrity facing personal crisis, such as Lincoln, Martin Luther King, Mandela, Hillary Clinton, Bill Gates, Beyoncé, or some other; write a few lines of soliloquy, thinking aloud in front of the audience. (No need to sound Shakespearean).
Explore
Shakespeare
• Chapter 19 (pp. 650-656), selections 19.11a and 19.11b. Soliloquy defined on p. 653; review Week 10 Music Folder
OPTION B
“Counter-Reform and Mannerism” Please respond to the following, using sources under the Explore heading as the basis of your response:
• Explain whether you prefer the representation of the Last Supper by Tintoretto, Veronese, or Leonardo da Vinci, identifying specific elements of the Mannerist and Renaissance artistic styles. Discuss whether you would have sided with Veronese or with Inquisition court, considering the issues of artistic freedom, right of the patron, and appropriate subject matter. Provide a rationale for your response. Describe a real modern situation where similar issues arise, like a controversial film, a professor with controversial views, a business owner expressing a religious opinion in public, a business owner who has an employee who is “just different”, etc.
Explore
Counter-Reform and Mannerism
• Chapter 20 (pp. 665-681), Mannerist art; (see also p. 591 in Chapter 17); review Week 10 Music folder
• Tintoretto’s Last Supper at http://www.wga.hu/html_m/t/tintoret/5_1580s/3lastsup.html (click on the image to enlarge); also at Fig. 20.9 on p. 674
• Tintoretto’s Last Supper, video, at http://smarthistory.khanacademy.org/jacopo-tintorettos-last-supper.html
• Chapter 14 (p. 491), Leonardo’s Last Supper (Fig. 14.25)
• Leonardo’s Last Supper at http://www.philvaz.com/apologetics/LeonardoLastSupper.htm
• Chapter 20 (pp. 678-680 with Fig. 20.16), “Last Supper” painting and Inquisition trial of the artist Veronese
• Trial of Veronese at http://members.efn.org/~acd/Veronese.html
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